we watched
Midge and I
Ken asleep
as usual
we saw when he
came in so pale
a giant man
at almost dawn
the sky gray slate
before the sun
there you were
the one he wanted
there he stood
a wanting one
a wanting and
a blinding ache
that made him take
his glasses off
he took them off
from his face
it made him swell
in different ways
it made him swell
and we could see
we saw we watched
it made us want
to squint our eyes
and shrink inside
but eyes don’t shut
they stay this wide
and size is not
an option here
he’d start himself
like my DreamCar
or like a top
a cord to pull
to spin let go
he’d start and then
and then and then
we watched his weight
we watched you stiffen
you stiff and straight
like you were dead
stiff like a board
your hand stuck out
to hold the nightstand
to stop your head
against the wall
to stop the rocking
of the movement
of his weight
a rocking force
stiff as a board
you rocked
a horse he rode
and waited for him
to stop his weight
on top
you held the stand
until he stopped
you dropped
your hand slipped back to bed
as if asleep
we watched him clean
and fixing himself
his frames back on
his face at ease
the wanting gone
his breathing calm
and slow again

Emma Goldman-Sherman’s plays have been produced on 4 continents and include the podcast, Abraham’s Daughters (Waterworks and Henley Rose finalist), available at TheParsnipShip.com, and others at PlayingOnAir.org and elsewhere. Their poetry is forthcoming or published in Strange Horizons, Anti-Heroin Chic, Bangalore Review, Writers Resist and others. They teach for the Dramatists Guild Institute and support writers and artists at https://www.bravespace.online/ and write about wholeness and creativity at https://goldmansherman.substack.com