I
Preoccupied by the floorboards,
at a poetry reading
I saw a yellow-jacket,
or just a bee, struggling
with what I would call, in myself,
drunkenness—
Wandering a bit, but never far,
indecisive and writhing
until lifted into the air.
Dragged, by a spider
hovering over it.
Not drunkenness then. Poison.
or just plain tangling. I don’t know
how a spider kills a bee.
I had heard engineers could not
improve a hornet’s form
for efficiency, and I imagined
that nimble elegance
dragging a tether equally
strong and light.
It struggled a bit.
The poet continued:
Those with the time
for poetry don’t deserve it.
The poetry or the time—
I began to wonder in that
small moment of my life,
in that whole life of the bee.
II
After a Photograph by Emilien Urbano: The Bodies of Two Yazidis
Killed by the Islamic State, Sinjar Iraq, 2014
Did the killers, or at least
the men assigned
to dump the bodies,
consider composition?
How best for symmetry
and depth of field to heap
two corpses, carpet-wrapped,
amidst the brown field’s
furrow, its straw grass?
Did they think about the parallel
arch of tire tracks,
how they’d texture the earth
and flatten the sky?
No—not carpets,
blankets, fleece synthetics
gleaming contours of sunlight
among their wine-maroon tangles,
diluted gold, and lavender.
Blankets or carpets, regardless.
Regardless, the light—bodies
sloughed in a field then photographed.
In their repose
deserving more than this poem
and its portions
of sky framed by power lines.
Its telephone poles,
like tall crosses, receding.