Four vultures place a practiced foot
against flesh, brace to tear bone
skull and spine
of a small grey seal, maybe one month in the world
scored by wind and sun
where the tide withdrew
and mud strands itself.
It’s the birthing season.
Seals gravid, find harbor
where water laps quiet and sun warmed.
In the lagoon one voice is raised
the same question, over and over
one wet bullet of a head, the others draped long on the bars.
I’ve been knowing such a day would come,
afternoons seeing those rafts of newborns
shadows along their mother’s large sides
pulling milk, resting under careful limbs…
Now these four down low on the water’s edge tell:
the wound is fresh but beyond all saving
So I walk my son from the car to witness
by clammer-dug ditches like ropes strung taut
between shore and water,
we eel into the mud, sinking and stop.
In the channel’s plunge the mother
calling, casting the silence,
her shrill echoes those early nights with my boy–
he was ours, if we could keep him.
Pulled by the moon’s rise
the carrion birds work until the tide
heaves to the rushes and the willow roots
and carries the child past his mother
and into the sea

Marthine Satris has published poetry and prose in The Georgia Review, The Santa Clara Review, Antiphony Journal, Ballast Journal, Flyway Journal, and elsewhere. She is the Associate Publisher at Heyday, the nonprofit press in Berkeley, CA, and holds a PhD in English from UCSB. She lives in Oakland and is a frequent contributor to Oakland Review of Books. You can find her on Bluesky at @msatris and Instagram at @m_satris.