donée, what has been given
as in Joyce, The Dead
which I loved then like no other
as it opened and opened its gorgeous trapdoor
all the down and falling—
in the corner at the top of the stairs
in that endless valley, in the flatness
of what had been given
silt peat loam
on that circle on the shore of that drained meadow
gone subdivision gone heat-stroke shimmer
where once in a decade snow fell, where they once
let us out on the playground because of it, where
no one had mittens where I had only a pink rayon dress
where it could have been
something other, pollen perhaps, something
we knew, but this, but instead
the sky opened
just as we imagined in all the stories, chasing—
the snow falling faintly through the universe
and faintly falling, like the descent of their last end,
upon all the living and the dead
I took it and ran for the mountain
I took it and built a mountain
I took it and built a city
I took it and ran for
I took it
it was gorgeous it was ours not ours ours
we did not know how hard we were working
it fell on our hands and we wrote it into the sky

Lisa Gluskin Stonestreet is the author of The Greenhouse (Frost Place Chapbook Prize) and Tulips, Water, Ash (Morse Poetry Prize). Her poems have appeared in journals such as Blackbird, Kenyon Review, Plume, and Zyzzyva, in anthologies including Nasty Women Poets and The Bloomsbury Anthology of Contemporary Jewish American Poetry, and online at Poem-A-Day and Poetry Daily. She teaches at Portland’s Literary Arts and Seattle’s Hugo House, and hosts the Portland reading series Lilla Lit and Literary Bingo. (lisagluskinstonestreet.com