Did you know
an upside-down postage stamp
once meant ‘I love you’ but if the stamp
was of a flag it meant ‘distress’
Even Eliot’s wasteland
would be stuck ape-ing the voice
of police in different pitches
if not for a teacher’s heavy hand
The life of the law has not been logic
it has been experience
Every poem is a half-built bridge. Every poem
is a tower master stacking & restacking
blocks to keep standing a world others
have yet to reach. To read a poem
is to meet Theseus halfway
with a coil of bulbs trailing, each glass globe
a warm heart blinking. Which is to say,
to have read a poem is to have experienced.
After a season of reading law in the jurist’s
chambers, I travel the city every night & replant
its gardens, collecting
unfinished thank-you cards & hardly worn scarves
out of which to fold a palace
of paper parakeets. Far north,
behind a sanctuary of birch, I broke bread
with a king. He’d forgotten his name,
but when I asked to whom he was obliged
for his treasure, he opened his mouth
& there was the sky. In a forest of nightjars,
I learned hundreds of songs to thank stars
but none that they would hear. I once tried
writing a poem long enough to ladder itself
up to space. When I finished,
the world I wanted to understand had already changed.

Youssef Mohamed is a Muslim-American poet and lawyer currently living in the Bay Area. His poems have been featured in Frontier Poetry, Hayden’s Ferry Review, Ambit Magazine, New South Journal, and elsewhere. He also was selected as a finalist for the 2020 Pablo Neruda Prize for Poetry. He has clerked on the U.S. Court of Appeals for the First Circuit. When not writing poems or drowning in judicial opinions, he stress drinks caffeinated beverages and binge watches seasonal anime.