After Langston Hughes
there’s an ocean over my shoulder,
a blade ready to know my throat
then there’s me:
freely four, swinging my braids left to right, drumming my barrettes
i can’t spell fear
only been to a corner
of the world, but you can’t
tell me i’m not pearl
arms cast a net to catch
every dream, i’m taking
everything
the water hugs my ankles, craves my crown
now, the knife is kissing my soft black power
i’m tied up:
Steve Urkel stiff, life on red light, ain’t you got something to do? oh, yeah
i’m supposed to camouflage
with dirt, become good friends
with hurt, pop my neck
or my pussy—but never enjoy it
i think i’m supposed to
destroy myself, get addicted
to disappearing
i’m pierced & swallowed; everywhere i look, a frown,
a laugh, if the fingers don’t point, they grab
my frustration scales:
a thread of questions unknowing myself, a shiver of terror thick
with scripts, trust thinned out
i’ve known sharks—sharpened
their teeth to carnage me & hid
at the pit of their power, i’ve put
my funk in a chest, but here i am—
a rot dream reeking
of pleasure
i see a portal: weathered palace of offering, waiting
for my love—tears still over my shoulder, i step forward
then there’s me:
finding fins, bitch-turned-fish making ends & sinning & swimming

Arianne Elena Payne is a Black writer, multidisciplinary creative, and aspiring historian from Chicago, Illinois. She is a 2023 PEN America Emerging Voices Fellow. She has received the 2022 Graybeal-Gowen Poetry Prize, the 2022 Virginia Downs Poetry Award, and the 2019 Frederick Hartmann Poetry Prize. Her work has been featured in Voicemail Poems, TORCH, Shenandoah and is forthcoming in the Indiana Review and Hooligan Magazine. Situated in the complexities and lyricism of Blackness, girlhood, and geographies of resistance—her work strives to take Black people and their histories seriously.