could name
things, like the threat of rattle
in the snake’s slither, the moon’s
flirtation from full-face to shadow,
the platypus, that hybrid with a duck’s
beak and a dam-builder’s tail.
He left the ineffable anonymous
as woman—never knew what
to make of the rustling behind him
or the sensation of her legs
grapevining his hips, her teeth
poised to rip worlds from his throat
should he try.
He smelled bream and the rot
of mullet when she biked garden
paths in search of other playmates.
He needed faith as little
as she needed him, which is to say,
as much as that fish needed its own
two-wheeler. He was as lonely
with his help-meet as without.
A ridiculous specimen, he woke
with golem breath each dawn
to design new gardens,
then watched them ravaged
by the north wind in the heat
of the day.
He babbled to primates
and cussed at parrots
to hear them echo
his shame. He hurled Cain’s
name at the fickleness
of moon, but never Abel.
He wondered at the rustling—
foreboding images of flash
flood and famine, metallic
as blood on his tongue.
Father to the first
fratricide, he refused to go
down as the first
to die by his own hand.
But he weighed it daily for 930
years, regretting every minute.

Pamela Wax is the author of Walking the Labyrinth (Main Street Rag, 2022), Starter Mothers (Finishing Line Press, 2023), and Every Single Beast of My Heart (Sheila-Na-Gig, 2026). Her poems, published in over 70 literary journals, have received several awards and three Best of the Net nominations. Some of her publications include Barrow Street, Tupelo Quarterly, The Massachusetts Review, Paterson Literary Review, Pinch, Chautauqua, The MacGuffin, Nimrod, Epiphany, and Slippery Elm. An ordained rabbi, Pam lives in the Northern Berkshires of Massachusetts.