Smoothly & simply
hourglass sandlikeIdescend
grand elevatora marble lobby
my rendezvous resorthaving penned my wayto fortune
elevated in luxurious chattels buried
insolitude
thousands of kingdoms between my father &me his
abandonmentdisconnected phone tone
on the night of my birth
The golden lobby
lit like sunsqueezing into a freight tunneleyes rings
of Jupiter & thereheis
under a crystal chandelier,in the worldI writehim out of
on a curved bench
my father& his family
in mid-century suits & gowns,
as if we belong together
my father
with a diamond-crowned penfrom a suit pocket
hismother/my grandmother
a frail hand on arose gold cane,hissister/my aunt with a bronze pearl-barrette
in a jet black airfrolike mine
her son/my cousin with apink belt &a sparkling smile
A grandeurpeering out of pale pink & white
sitting upright
holding hands,
a tribe
They rise like cathedrals
when they see me walking steady &stunnedthe pace of a bride
to themagnetic field
called familyas ifmy father crawled out of the dooms of my poems
thisis what walking is for
to strideinto a father’s armsframed by the familyilluminating
forgiveness.
I cannot help
but expandto a museum,so my father canfeel my art
feelmy shame
He coils himself around me likea windingwhite-goldbracelet over the medallion
in the marble floorour imagerefracting
in a see-throughgrand pianoI drift deep inside hisorbit
untarnished love
A seraphic spasm
upon my bodyBut Desire,
pardon me,I lie awake now
the shamehe had to findme
inthis dream
Oak Morse lives in Houston, Texas, where he teaches creative writing and theatre and leads a youth poetry troop, the Phoenix Fire-Spitters. He was the winner of the 2017 Magpie Award for Poetry in Pulp Literature, a Finalist for the 2023 Honeybee Poetry Award and a Semi-Finalist for the 2020 Pablo Neruda Prize for Poetry. A Warren Wilson MFA graduate, Oak has received Pushcart Prize nominations, fellowships from Brooklyn Poets, Twelve Literary Arts, Cave Canem’s Starshine and Clay as well as a Stars in the Classroom honor from the Houston Texans. His work appears in Black Warrior Review, Obsidian, Tupelo, Beltway Poetry Quarterly, Nimrod, Terrain.org, Hampden-Sydney Poetry Review, among others. www.oakmorse.com