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Woman Behind the Lens

 

 
 
 
Quarried in Italy, hewn in America,

cosseted by San Francisco, uncorseted by Hollywood,

widowed by smallpox, remarried in Mexico,

comrade of Pablo, paramour of Diego, betrayer of Frida,

documentarian of the starkly colored murals of Jose Clemente

with their ruthless turbines and lurid vivisections,

photographer of farmhands and unionists,

of women with speckled brown pendulous breasts

and babies with hair as soft and hot as the fine snow

flicked from a cigarette,

 

muse of the Mexican Communist Party,

target of Italy’s fascist police,

suspect in two assassinations,

smeared by state-run newspapers as a tiger-clawed pistolera,

detained, interrogated, exiled, and finally eliminated,

Tina Modotti

a seamstress’s daughter

renounced photography at 35:

“I can’t solve life’s problems by losing

myself in art’s.”
 
 
 

Jenna Le's two poetry collections are Six Rivers (NYQ Books, 2011) and A History of the Cetacean American Diaspora (Anchor & Plume, 2016). Her poetry, fiction, nonfiction, and translations appear or are forthcoming in AGNI Online, Bellevue Literary Review, The Best of the Raintown Review, Denver Quarterly, The Los Angeles Review, Massachusetts Review, The Village Voice, and elsewhere. She is a physician and a daughter of Vietnamese refugees. Her website is www.jennalewriting.com